There’s no standard rule for how one should format text messages or IMs in screenplays. As with all formatting advice, any way you handle it is okay as long as your intention is clear and you don’t confuse the reader. One simple way to handle text communication is to treat it like dialogue, but indicate […]
What is the difference between an em-dash/double-hyphen and an ellipsis?
Both em-dashes (–) and ellipses (…) are used to indicate unfinished thoughts, but their uses differ slightly. Em-dashes are used to indicate a thought that ends abruptly, either because the speaker ended it that way for effect (“aposiopesis”), or because he or she was interrupted. THOMAS I was just about to tell your dad that […]
How do I write a screenplay?
Writing a screenplay is a large undertaking. In not much more than 100 pages, a screenwriter must clearly and succinctly present a coherent and gripping story, complete with rich characters and interesting dialogue and action, all while following standard screenplay format. Get a feel for how they work. Screenplays are not stand-alone pieces of literary […]
How do screenwriters use index cards?
Many screenwriters find index cards (aka notecards, note cards, or flash cards) valuable in both the outlining and pitching processes. They are a great way for visualizing story, and they are non-linear, so they can be moved and shuffled easily. Plus they come in different colors, which can be a big help with organization. When […]
How should I approach rewrites?
In a blog post from 2005, John August has this general advice: Decide out what you want to accomplish, then figure out which scenes would need to change. The first instinct of a lot of writers is to start from the beginning of the script and look for dialogue blocks, action lines, or description to […]
What tense are screenplays written in?
Unlike novels, which can be written in a variety of tenses, screenplays are always written in present tense. Some writers employ an objective 2nd person tense for point of view, where “we” stands in for the audience. Through the crowd of befuddled heads, we see a MAN IN HORNED-RIMMED GLASSES, staring with intent. The present […]