A McGuffin (sometimes MacGuffin or maguffin) is a device that drives the plot, but has no real relevance. A good example is the briefcase in Pulp Fiction: viewers can speculate on its contents, but the truth is it doesn’t matter what’s inside; it’s just something to drive the plot. The term is often attributed to […]
What constitutes a scene?
A scene is a unit of story that takes place at a specific location and time. If one of these changes, you have a new scene. This is two scenes: INT. PETE’S ROOM – NIGHT He turns off the lamp and quietly nestles himself under the covers... INT. PETE’S ROOM – DAY A SCREECHING alarm […]
How do you label a scene that takes place both inside and outside?
If a scene transitions from INT. to EXT. or visa-versa, you should have a new scene heading: EXT. BACKYARD – NIGHT Masks pulled down, they insert the pick into the lock. They turn the torque wrench and enter... INT. LAUNDRY ROOM – CONTINUOUS If a scene breaks between INT. and EXT., you should include both […]
What is the proper way to handle a large group speaking at once?
There are a few ways to handle a large group talking simultaneously, depending on the situation. If the group is a constant background noise that is part of the setting, they can be written into the scene description: INT. CONVENTION HALL – DAY The massive room is packed full of Browncoats, BUZZING about all things […]
What is the proper way to label dialogue spoken by a group of characters?
When multiple characters are speaking the same dialogue simultaneously (as opposed to [two characters speaking different dialogue at the same time](https://screenwriting.io/how-do-you-format-two-characters-talking-at-once/)), you will usually handle it with slashes. HOSTESS/WAITER/CHEF Welcome to Jurassic Pork! There are times where alternatives are also acceptable. If there is a singular label that clearly expresses who is speaking, for instance, […]
What is a script doctor?
A script doctor is an accomplished screenwriter hired to help a script overcome a few specific, nagging problems, usually just before the movie goes into production. Script doctors almost never rewrite the entire movie, but instead just work on specific issues that need last-minute addressing. Script doctors are not credited on films, and therefore do […]